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Training in the practical research in making films or artistic audio-visual work
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EQZE mantains its prevention plan activated in June 2020 for the reopening of the center with a series of measures, protocols and recommendations involving the entire center community. The document regulates the security measures to be followed, opening and closing hours; cleaning, capacity, and the use of classrooms, facilities and technical equipment.
Cristina Álvarez López
This course addresses the generation of thought on the basis of writing with images
January 18 > January 22
José Luis Sanz
Basics and objectives of digitisation in the case of archives
January 18 > January 22
Pamela Vizner
Identifying processes of deterioration and repair of magnetic material
January 26 > January 29
Carlos Muguiro
A proposal to produce, make, edit and exhibit a garden of images and sounds
January 26 > January 29
Ricardo Matos Cabo
A journey which pauses to dwell on specific projects which have turned programming into an art of “putting on films”
January 26 > January 29
Xabier Erkizia
Tailer honek hausnarketa bat proposatzen du lozorroko entzutearen inguruan
February 1 > February 1
Garbiñe Ortega
Approach to the mediation between the project and society through a plural vision of public audiences
February 2 > February 4
Joxean Fernández
A chronological and thematic review of the history of Basque film
February 3 > February 4
Bárbara Mateos
Color grading workshop
February 22 > February 5
Georges Méliès (France, 1900, 2 min.) + Hermanos Pathé (France, 1907, 3 min.) + Se... Tabakalera | Cinema - Screen 1
[+ info]Conceiving Ada Lynn Hershman Leeson (USA, 1997, 85 min.) / / Conceiving Ada works as a ...
[+ info]Morten Tyldum (UK-USA, 2015, 113 min.) Tabakalera | Cinema - Screen 1
[+ info]Patric Chiha (France, 2016, 88 min.) Tabakalera | Cinema - Screen 1
[+ info]Luis Buñuel (Mexico, 1947, 96 min.) Tabakalera | Cinema - Screen 1
[+ info]Nicholas Ray (France-Italy-UK, 1960, 110 min.) Tabakalera | Cinema - Screen 1
[+ info]Training on restoration and preservation of the cinematic and audio-visual heritage
+Training in the conceptualisation and full development in cinema and audio-visual arts
+Training in the practical research in making films or artistic audio-visual work
+Do you want to be part of Elías Querejeta Zine Eskola? Contact us.
In compliance with the European General Data Protection Regulation (GDPR EU 2016/679) and Organic Law 3/2018 on the Protection of Personal Data and the Guarantee of Digital Rights, you are hereby informed that all data provided through this form will be processed and used executively for managing enrolment on the courses offered by the EQZE and will not be ceded to any third party.
"We make Jorge Oteiza’s ideas on the regenerative power of aesthetic education and the desire for unity that Walter Gropius developed at the Bauhaus our own, and in our case we extend these to our teaching and film praxis".
"We continue to perceive education as a technical plan for trades/occupations, in narrow areas of special knowledge or a particular way of earning a living materially. (...) But there is no calculation or protection for the fundamental teaching of a spiritual sensibility that we need to live together in our time".
"The way of teaching responds to the essence of the workshop: organic creation developed from craft skills. Avoiding any rigidity; giving priority to the creative activity; freedom of individuality, but rigorous study".
"Your film: let people feel the heart and soul there, but let it be made like handwork".
"To love a painting, you must be a potential painter, if not, you cannot love; and, in truth, to love a film, you must be a potential film maker; you must say: I would have done this or that; a person must make films themselves, even if only in the imagination, but it must be done, if not, they are not worthy of going to the cinema".
"Cinema must find its own way to express a series of thoughts; a way that only belongs to cinema".
"Art cannot be taught, art is discovered, it is experienced. Art it is transmitted in different ways to achieve a single understanding, sometimes with no dialogue whatsoever".
"There is no language. There is no art. There is no knowledge. There is but film as film: the beginning and the eternal moment".