2020-2021 Academic Year
Admission is open
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EQZE
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Departments and studies
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Spaces
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Admission
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Admission is open
Training in the practical research in making films or artistic audio-visual work
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Xabier Erkizia
Analysis of sound in cinema, looking for connections with other contemporary manifestations of sound
February 24 > February 28
Peio Aguirre
Mounting of the "Nestor Basterretxea. A través de la fotografía" exhibit organized by Kutxa Kultur
February 25 > February 28
Curatorships, mediation and public audiences
March 2 > March 7
Oliver Laxe
Dichotomy between control and randomness, as two extremes that can be used to structure film staging
March 9 > March 13
Victor Iriarte
A space for joint debate on the way that we programme film and audiovisual
March 9
Pablo La Parra
This subject explores recent research practices related to the militant film cultures of the 1960s and 1970s
March 9 > March 13
Joxean Fernández
A chronological and thematic review of the history of Basque film
March 11 > March 13
Luciano Berriatúa
Approach to the restoration projects from the point of view of investigation
March 16 > March 20
Takashi Makino
This subject specifically addresses all phases of the design and construction of audio universes
March 16 > March 20
Victor Iriarte
A space for joint debate on the way that we programme film and audiovisual
March 16
Garbiñe Ortega
Approach to the mediation between the project and society through a plural vision of public audiences
March 18
María Palacios Cruz
Conceptual, practical and organisational matters concerned with programming
March 23 > March 27
Mariano Llinás
Study of the relationship existing between verbal and iconic images and how they can relate to one another
March 23 > March 27
Peter Bubestinger
Analysis and strategies of digital preservation
March 23 > March 27
Carolina Cappa
Research on specificity of photochemical material and its relation to the work
March 25 > March 28
Selection of Basque short films (75 min.) Tabakalera | Cinema - Screen 1
[+ info]Jaime Puertas (España, 2016, 30 min.) + Jaime Puertas (España, 2019, 45 min.) Tabakalera | Cinema - Screen 1
[+ info]Lotte Reiniger (Germany, 1926, 65 min.) Tabakalera | Cinema - Screen 1
[+ info]Training on restoration and preservation of the cinematic and audio-visual heritage
+Training in the conceptualisation and full development in cinema and audio-visual arts
+Training in the practical research in making films or artistic audio-visual work
+Do you want to be part of Elías Querejeta Zine Eskola? Contact us.
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"We make Jorge Oteiza’s ideas on the regenerative power of aesthetic education and the desire for unity that Walter Gropius developed at the Bauhaus our own, and in our case we extend these to our teaching and film praxis".
"We continue to perceive education as a technical plan for trades/occupations, in narrow areas of special knowledge or a particular way of earning a living materially. (...) But there is no calculation or protection for the fundamental teaching of a spiritual sensibility that we need to live together in our time".
"The way of teaching responds to the essence of the workshop: organic creation developed from craft skills. Avoiding any rigidity; giving priority to the creative activity; freedom of individuality, but rigorous study".
"Your film: let people feel the heart and soul there, but let it be made like handwork".
"To love a painting, you must be a potential painter, if not, you cannot love; and, in truth, to love a film, you must be a potential film maker; you must say: I would have done this or that; a person must make films themselves, even if only in the imagination, but it must be done, if not, they are not worthy of going to the cinema".
"Cinema must find its own way to express a series of thoughts; a way that only belongs to cinema".
"Art cannot be taught, art is discovered, it is experienced. Art it is transmitted in different ways to achieve a single understanding, sometimes with no dialogue whatsoever".
"There is no language. There is no art. There is no knowledge. There is but film as film: the beginning and the eternal moment".