The ideology of visual production is governed by notions of clarity, image resolution and the logic of maximum performance. Poor images become invisible. And in this sense, error can be seen as a window, an opportunity to fracture and reveal what the corpus of the cinematographic image is made of. My project addresses the role of the mistake, the glitch, as a critical lens and a generator of new aesthetics. Apocalipsis Glitch is a curatorial work that arose out of academic texts I read and films I saw. The research has taken shape in a hybrid fashion, as a collection of audiovisual and written essays, ultimately leading to a publication accompanying the film season. I will continue to develop the project after the end of the master’s course, but as a farewell I have decided to use the space at the Hypothesis to create a model-cycle and a live performance by musician and sound artist Abel Hernández to explore audio errors.