Ana Karina de Fátima Barandiarán Urday

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Ana Karina de Fátima Barandiarán Urday (C07 (2024-2025))

I graduated as a photographer and visual artist from the National University of San Agustín (Arequipa), I did the ‘Ciudad de los Niños y de las Niñas’ (City of Children) Diploma at the Autonomous University of Yucatán, the Cultural Management Diploma at the Antonio Ruiz de Montoya University and have a Master’s in Art History from the Universidad Nacional Mayor de San Marcos. I trained in Logistics and Production for Audiovisual Media (Argentina, 2015), Museum Architecture and Museography (Institute of Museological and Artistic Research, Lima, 2019), Conservation of Glass Negatives (ICPNA, Lima, 2014), Photograph Conservation and Risk Management for Documented Heritage in the International Paper Conservation Seminar (Santiago de Chile, 2019), History of Photography (Centro de la Imagen, Lima, 2019), Cultural Management for Community Library Projects (FCE, Lima, 2020) and participated in the workshop ‘Seminario de Imagen, Música y Palabra. Enseñar desde la experiencia estética como germen de la escritura’ (FLACSO, Argentina, 2021), and in the Proceso de Creación de un Documental workshop (Madrid Film Institute, 2022). I participated in the ‘Experimental Film School’ organised by Corriente: Latin American Non-Fiction Film Meeting (Arequipa, 2022) and was selected for the ‘TransLAB Non-Fiction Laboratory’ of the Transcinema International Film Festival (Lima, 2022). I have made two documentaries: ¿Y dónde están las lesbianas? Una historia contracultural del Perú (co-direction) and El polvo ya no nubla nuestros ojos (collective direction), which won two awards at the Lima Film Festival organised by the Pontifical Catholic University of Peru (PUPC) and was selected at the Mar del Plata International Film Festival. I was involved in creating the plan storage system and archives of the Lima History Centre. I work in projects aimed at children, such as the ‘Guardianes del Patrimonio’ (Guardians of Heritage) programme, promoting the protection of Lima’s monumental and intangible heritage, and have run art workshops at the Miguelina Acosta community library, which I founded in a highly vulnerable neighbourhood in Lima in 2020. I currently manage the Casa de la Cultura Criolla in Lima.

Last update of this profile: 2024